1-2 revisions usually do the trick, but you'll get up to 3.
And if it gets really hard, we'll live stream the revisions so you can follow in real time. Feeling the need to replace or add new elements? No stress, we can do it!
When mixing, we always include our master, and you're free to take the mix to another mastering engineer if you want to. You can get the instrumental and the mixed stems for FREE on request. It's also possible to do multiple version (e.g. cleared, acapella, TV mix...).
First we evaluate the project, we set the goal and fix the price. When the files are ready, we'll do the first version between 1 day (for mastering) and 5 days (for other services).
From there, we'll make every necessary revisions based on your feedback.
When you're completely satisfied with the result, we'll send you all the files.
Mixing usually takes 2-5 working days depending on the project size and the quality of the material, your goals, and whether we choose to experiment with new ideas or not.
Mastering usually takes less than 1 day.
Rush delivery available.
Of course, progressive discounts on everything whenever you have a project with more than 3 songs (5% OFF), 5 o (10% OFF)r more than 7 (15% OFF).
When we're done, you can easily clear the payment of the invoice with a bank transfer or PayPal, Revolut...
In alternative, you can hire me on SoundBetter.com and let them manage everything from the beginning.
Dry files are better if you need pitch or timing corrections.
You should generally keep the sound-design you've made and the effects you love!
Or, you could send both Dry and Wet files to have maximum flexibility.
As a general rule, it's sufficient to bypass any heavy processing used to attempt mixing or mastering.
It is generally recommended to disable any master bus processing, even if the preset is called "best master compressor setting ever".
But every project is different, and some effects may need to be kept on, We'll find out what to do.
You can use the same sample rate of your session (to avoid any unnecessary conversions) with 24-bit resolution. However, we would recommend to send at least 48.000 Hz wav files with 32-bit resolution to avoid any chance of digital clipping.
aaand never use dithering!
Full Mixing is best when you need to control every aspect of the production by balancing all the individual tracks into a cohesive mix. Stem Mixing (also called Stem Mastering), means working with groups of elements (like drums, bass, vocals and other instruments) for better control over the out-coming master. Mastering optimizes the final mix, ensuring it sounds ready for distribution across all platforms, ensuring a correct audio translation.
You have total control over that. I can contribute to the production or be completely technical. And if I got to be honest, I prefer the second one. But I'm always open to bring new ideas in, and we'll choose the best mixing approach together.
The control room has nearly perfect acoustics. It's loaded with Ex-Machina Pulsar 3-way monitors (paired with 4x 18" subwoofers) and custom-built 3-way main speakers.vid HDX converters and a handy 24-fader digital desk. Pro Tools is expanded with (literally) the best plugins on the market.
Studio headphones setup: ESS Sabre Ultra (DAC), SPL Phonitor One (amp) driving HIFIMAN Sundara or Audeze LCD-X.
Not really. We believe that modern plugin emulations can do a great job. But if you demand vintage / analog equipment we'll deploy a selection of legendary machines such as Tube-Tech SMC-2B, Tube-Tech CL-1B, Tube-Tech PE-1C, UA UREI 1176LN, Fairman TCS, Neve 8816, and much more.
1-2 revisions usually do the trick, but you'll get up to 3. And if it gets really hard, we'll live stream the revisions so you can follow in real time. No stress if you feel the need to replace or add new elements. We can do that!
When mixing, we always include our master, and you're free to take the mix to another mastering engineer if you want to. You can get the instrumental and the mixed stems for FREE on request.
It's also possible to do multiple version (e.g. cleared, acapella, TV mix...).
First we evaluate the project, we set the goal and fix the price. When the files are ready, we'll do the first version between 1 day (for mastering) and 5 days (for other services).
From there, we'll make every necessary revisions based on your feedback.
When you're completely satisfied with the result, we'll send you all the files.
Mixing usually takes 2-5 working days depending on the project size and the quality of the material, your goals, and whether we choose to experiment with new ideas or not.
Mastering usually takes less than 1 day.
Rush delivery available.
Of course, progressive discounts on everything whenever you have a project with more than 3 songs (5% OFF), 5 o (10% OFF)r more than 7 (15% OFF).
When we're done, you can easily clear the payment of the invoice with a bank transfer or PayPal, Revolut...
In alternative, you can hire me on SoundBetter.com and let them manage everything from the beginning.
Dry files are better if you need pitch or timing corrections. You should generally keep the sound-design you've made and the effects you love!
Or, you could send both Dry and Wet files to have maximum flexibility.
As a general rule, it's sufficient to bypass any heavy processing used to attempt mixing or mastering.
It is generally recommended to disable any master bus processing, even if the preset says best master compressor setting ever.
But every project is different, and some effects may need to be kept on, We'll find out what to do.
You can use the same sample rate of your session (to avoid any unnecessary conversions) with 24-bit resolution. However, we would recommend to send at least 48.000 Hz wav files with 32-bit resolution to avoid any chance of digital clipping.
aaand never use dithering!
Full Mixing is best when you need to control every aspect of the production by balancing all the individual tracks into a cohesive mix. Stem Mixing (also called Stem Mastering), means working with groups of elements (like drums, bass, vocals and other instruments) for better control over the out-coming master. Mastering optimizes the final mix, ensuring it sounds ready for distribution across all platforms, ensuring a correct audio translation.
You have total control over that. I can contribute to the production or be completely technical. And if I got to be honest, I prefer the second one. But I'm always open to bring new ideas in, and we'll choose the best mixing approach together.
The control room has nearly perfect acoustics. It's loaded with Ex-Machina Pulsar 3-way monitors (paired with 4x 18" subwoofers) and custom-built 3-way main speakers.vid HDX converters and a handy 24-fader digital desk. Pro Tools is expanded with (literally) the best plugins on the market.
Studio headphones setup: ESS Sabre Ultra (DAC), SPL Phonitor One (amp) driving HIFIMAN Sundara or Audeze LCD-X.
Not really. We believe that modern plugin emulations can do a great job.
But if you demand vintage / analog equipment we'll deploy a selection of legendary machines such as Tube-Tech SMC-2B, Tube-Tech CL-1B, Tube-Tech PE-1C, UA UREI 1176LN, Fairman TCS, Neve 8816, and much more.
